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Brushstrokes Through Time: The Living Legacy of Odisha Patachitra and Its Master Painters

Patachitra Odisha is much more than a traditional painting form, which remains confined within the walls of galleries and museums. Rather, it represents a living art form passed down through the centuries by dedicated artisans who gave an aesthetic form to myths and culture. Patachitra developed from the religious traditions and ceremonial practices of the Jagannath Temple, becoming closely connected with the worship of Lord Jagannath and temple rituals.

Patachitra Paintings of Odisha


The Beginning of Odisha Patachitra

The name 'Patachitra' is derived from two Sanskrit words: 'Patta', which means cloth, and 'Chitra', which means paintings. It is an ancient art style believed to date back to the 12th century AD and has close ties with the Jagannath Temple in Puri. Patachitra paintings primarily draw their themes from Hindu mythology, including narratives of Lord Krishna and Lord Jagannath, as well as episodes from the Ramayana and the Mahabharata. The Patachitra paintings are made by skilled artisans known as Chitrakars as offerings to Lord Jagannath, Balabhadra, and Subhadra, who were worshipped inside this temple.

As the gods were kept hidden during certain rituals, the scrolls served as substitutes for worship and adoration. They beautifully depict stories from the past through intricate designs, bright shades of colour found in nature, fine lines, and attractive borders.

Traditional Patachitra Paintings



Symbols and Motifs in Patachitra Paintings

Sacred symbols are an integral part of Patachitra painting. Some of the most common ones include the Chakra or Wheel which denotes Lord Jagannath's divine powers of protection and safety. The Lotus or Padma symbolises purity and enlightenment, while the Conch or Shankha stands for abundance of life and sacred energy. An additional motif worth mentioning is the Nayana or eye, representing Lord Jagannath's powerful eyes and his spiritual vision.

Motifs of Nature and Animals

There are various other motifs associated with Patachitra, which include elements of nature and animals. Elements like vines, plant motifs, and borders depict the growth and continuity of life, while animals such as elephants, lions, and fish stand for wisdom, valour, and courage.

Tree of life with nature- Patachitra Art


Conventionally made on specially prepared cloth using natural colours derived from minerals, stones, flowers, and conch shells, Patachitra is distinguished by its elaborate details, mythological themes, flower motifs, and rhythmic lines. Over the years, successive generations of artists from the Chitrakar clans have perpetuated the art form’s traditions while keeping pace with new eras.

The beautiful tradition of Patachitra painting hence travelled from Puri to many other parts of Odisha, most notably to Raghurajpur, a village where art is still a way of life for many families. Though centuries have gone by, the heart of Patachitra has stayed the same and has gained prominence by preserving stories of faith, culture, and tradition through colours, emotions, and every careful stroke of the artist’s brush.

Renowned Artists of Odisha Patachitra and Their Contributions

Odisha Patachitra has endured and thrived throughout history. Salute to the efforts of several dedicated artists who have helped in keeping alive the spiritual, cultural, and storytelling significance attached to this art form. These artists range from temple painters associated with the Jagannath Temple to world-renowned painters of our time.

Early Traditional Chitrakar Community

The earliest creators of Patachitra were part of the Chitrakar community in Odisha, mainly from villages such as Raghurajpur and Puri. These hereditary painters developed the art form closely tied to the rituals of the Jagannath Temple. They painted sacred scrolls, mythological stories, palm-leaf engravings, and ritual paintings for devotees. Their work laid the foundation of Odisha Patachitra by maintaining traditional techniques, natural colours, and devotional storytelling for centuries.


Traditional Patachitra Painting from Odisha


Jagannath Mahapatra (Early 1900s – 1980s)

Jagannath Mahapatra played a major role in preserving the ritualistic identity of Patachitra during the early twentieth century. His paintings mainly focused on Lord Jagannath, Balabhadra, and Subhadra, maintaining the spiritual foundation of temple art traditions.

His famous Anasara Patti Series was created for temple rituals during periods when the deities were hidden from public view. Through symmetrical compositions, intricate detailing, and devotional purity, he safeguarded the authenticity of Odisha Pattachitra at a time when many traditional art forms faced decline.

Jagannath Mahapatra


Bansidhar Maharana (1920s – 1990s)

Bansidhar Maharana enriched Patachitra by introducing emotional storytelling and dynamic narrative compositions. While respecting traditional techniques, he focused strongly on Vaishnav mythology and Krishna’s childhood stories.

His notable works included Krishna Leela, Kaliya Daman, Rasa Lila, and scenes from the Bhagavata Purana. His paintings brought movement, expression, and lyrical beauty to Odisha Patachitra, helping viewers connect emotionally with mythological tales.

Ananta Maharana (1930s – 2000s)

The contemporary period saw Ananta Maharana emerge as the custodian of the traditional practices of making the art of Odisha Patachitra. His firm conviction was that the spirit of the painting lay in traditional methods, which also involved hand-made cloth preparation and the use of natural colours.

His major works were Dashavatara Panels, Jagannath Triad Paintings, and extensive narrative scrolls based on temple tradition. Despite the growing popularity of artificial colours and factory-made products, he never abandoned traditional methods of painting.


Ananta Maharana, the cent's Award recipient painter


Trilochan Chitrakar (1940s – 2010s)

Trilochan Chitrakar elevated Odisha Patachitra into a sophisticated visual art admired by collectors and scholars. His paintings were known for extraordinary detailing, ornamental richness, and disciplined craftsmanship.

Among his admired works were Radha Krishna Milan, Gita Govinda Scrolls, and finely engraved palm-leaf illustrations inspired by classical poetry and mythology. His contribution helped Patachitra gain recognition beyond ritual art and establish itself within India’s wider artistic heritage.

Jagannath Mahapatra (1942 – 2021)

Jagannath Mahapatra, Padma Shri recipient, has been one of the most acclaimed modern-day exponents of Odisha Patachitra. He hails from the village of Raghurajpur and has dedicated his entire life to the preservation and propagation of the traditional art form.

Some of his popular paintings include Tree of Life, Navagunjara, Krishna Leela Series, and paintings depicting Jagannath Culture and Temple Rituals. Apart from his own creations, he had also mentored young artists in this traditional art form.

Kailash Chandra Meher (Born 1954)

Padma Shri Kailash Chandra Meher modernised Odisha’s Tussar Patachitra tradition while preserving its classical roots. He became internationally known for adapting Patachitra onto Tussar silk fabric and introducing intricate contemporary designs inspired by mythology and nature.

His contribution helped expand the artistic and commercial appeal of Patachitra beyond traditional cloth paintings. Through exhibitions, workshops, and innovations, he brought Odisha’s heritage art to national and global audiences.

Kailash Chandra Meher



Painting By Kailash Chandra Meher


Modern Reach on Patachitra Paintings: The Artists’ Innovation to Newness

The traditional string of Patachitra paintings has manifested a new dimension of recognition and appreciation through newness created by the contemporary artists of Odisha. Patachitra paintings have been showcased in London and other Western regions, representing the creative power of Indian folk art on global stages.

Laxmi Meher (Born 1967)

Laxmi Meher became known for preserving traditional Odisha Patachitra while introducing themes related to social awareness and modern life. Her paintings continued to reflect mythological beauty while encouraging younger generations, especially women artists, to engage with the tradition.

Her contribution helped broaden the thematic possibilities of Patachitra while maintaining its decorative and spiritual identity. Her passion and lifelong commitment to the art form earned her several prestigious honours, including the Master Craftsman National Award presented by the President of India in 2005 and the State Award from the Chief Minister of Odisha in 1990.

Patachitra Tusaar Painting by Laxmi Meher


Jayanta Meher (Born 1986)

Jayanta Meher represents the younger generation of artists who combine traditional Odisha Patachitra with contemporary artistic expression. He is the younger son of the famous artist Padmashree Kailash Chandra Meher. His works display vibrant detailing, innovative compositions, and refined craftsmanship inspired by Odisha’s cultural heritage.

Through exhibitions, national recognition, and experimental approaches, he helped introduce Patachitra to younger audiences and modern art collectors while preserving its traditional essence. He won the Master Craftsman National Award in 2001.

Jayanta Meher


Bijay Bariki (Contemporary Artist)

Bijay Bariki, a National Award-winning artist from Raghurajpur, has played another significant role in preserving the authenticity of Odisha Patachitra. His paintings continue to follow traditional methods while promoting Odisha’s cultural heritage internationally. Through workshops, exhibitions, and cultural preservation efforts, he has contributed greatly to sustaining the artistic traditions of the Chitrakar community.

Patachitra Painting by Bijay Bariki


Bijay Kumar Parida (Born 1960s)

The contemporary journey of Odisha Patachitra continues through artists like Bijay Kumar Parida, who remain deeply connected to the tradition’s spiritual and cultural roots while presenting it before wider audiences.

His celebrated works include Jagannath Rath Yatra, Village Life Narratives, and floral-themed decorative Patachitra compositions inspired by Odisha’s folk culture and temple rituals. Through exhibitions, workshops, and international collaborations, he continues to preserve Odisha’s artistic identity while introducing younger generations to the timeless beauty of Patachitra.

Patachitra Artist- Bijay Kumar Parida



Patachitra Painting By Bijay Kumar Parida


Conclusion: A Legacy Painted Across Centuries

The story of Odisha Patachitra is ultimately the story of continuity. From the early ritual painters who created sacred images for temple worship to revivalist masters who preserved traditional techniques to modern artists who carried Odisha’s artistic heritage across the world, every generation added a new layer to this timeless tradition.

Through masterpieces like Anasara Patti, Krishna Leela, Tree of Life, Navagunjara, and Jagannath Rath Yatra, these artists turned cloth into stories of devotion and culture. Their paintings became visual records of mythology, spirituality, and human creativity. Today, when you stand before a Patachitra painting, it feels as if centuries are speaking softly through colour, line, and decoration. The art endures because dedicated artists keep it alive, ensuring that the sacred brushstrokes of Odisha Patachitra never fade away.

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